Great Good Fine OK continue to prove over and over again that they are the most badass, smooth stylers in the world of dance and indie-pop. Following the release of their debut EP Body Diamond last year, I made a point to mention that there’s little room for mistakes in an EP like there is in full length albums, and they smashed it out of the park with a pretty-much-perfect collection showcasing a natural ear for catchy song-writing. In 2015, they’re up to their old tricks as they return with a killer new EP entitled 2M2H (an abbreviation of the title track “Too Much To Handle”), set to come out in Australia on March 16th.
Opening it up with the title track “Too Much To Handle” they lead with a massive middle finger to anyone who doubted they could put together another release as strong as the last. Creeping in with static club-thump style synth and those brilliant dreamlike vocals fluttering around the verses, it leads into the build up to a chorus that spews perfection. This one is a dance track with some proper indie creds. It’s like…if David Guetta was suddenly actually really good.
One tune on this EP that struck me particularly, was the funk infused “Without You”. We continue with the trademark whispering vocals of frontman Jon Sandler which sprint around the backing with the type of precision that leaves you unable to keep still. It’s a very unique vocal tone and one that will be a major factor on whether or not you like this band. But it’s like eating snails. A lot of people are turned off at the thought, but if you like them, you fucking crave them. Creeping guitar parts and deep, probing synth provide a thick backing for what is an epic dance track; one that manages to still portray a heartfelt story of disappointment in failed love while keeping you bouncing around the room with happiness. Particularly around the 3:30 minute mark where it hits the outro, the boys round it off with funky guitar parts like the seasoned professionals that they appear to be.
“Carried Away” is proper old school funk. Taking listeners back to the 70’s with clanging disco style guitars and mixed again with the vocals, it almost resembles a bit of a Bee Gee’s type vibe. Obviously it’s not completely old school, again the electronics dominate throughout, slowing the speed down a little and the output it so sure of itself, and it should be. It’s definitely a sweet “strutting” song, and if you think that’s a terrible way to describe anything, listen and tell me I’m wrong.
If you thought you were impressed with 2M2H so far, wait until you hear that tropical popsters St Lucia are involved. That’s right, they’re a featured artist on the final track “Something To Believe In”, and man this partnership works out. The ethereal, out-in-space synth of Great Good Fine OK when meshed with the tropical-pop stylings of their featured artist just feels right. The deeper vocals of St Lucia frontman Jean-Philip Grobler are a welcome addition. A seductive saxophone solo permeates the outdo of this track , sliding around the slick arrangement like a dodgy carnival game, leaving you sufficiently entertained but wanting more.
Great Good Fine OK’s took all the stuff that impressed us in the first release and went double or nothing, and it certainly worked out. 2M2H is a crazy good EP. Start to finish, it’s filled with happy dance vibes, heartfelt and honestly delivered lyrics and high level, naturally sexy songwriting. With not a single second on the record wasted, they spit hooks all over the place in an effort that will make them your new favourite band. A lot of the time when someone asks you what bands you’re listening to at the moment, it’s real fucking hard to come up with something solid because it’s always changing. But if anyone asks me for the rest of the year, I can solidly say; I’m listening to Great Good Fine OK.