Tag Archives: northeast party house

The Very Best Of 2014

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It’s almost the last day of the working year at my day to day; and as you can imagine, as things wind down, cranking out some decent tunes in the office becomes a big part of the vibe leading up to Christmas. Looking through the 2014 playlists, it’s very clear that this year has been one of the best years in a long while for music, in particular Australian music. We’ve had some sure-to-be historic debuts, some impressive first time interstate players, and the expectations put on many emerging artists for their scheduled releases this year shattered with an unprecedented amount of consistently high quality records.

Now, this is down to pure personal taste, and if you would also like to input, you can either email suggestions next year or start up your own blog. But I’d like to take a silent minute to just respect the year that’s been, and deliberate on the very best of the year that was 2014.

Acoustic Cover of the Year: Bad Suns (Calif.) – Cardiac Arrest

Among the slew of emerging artists this year, Bad Suns stood out for their unreal ability to craft a pure pop song with all that raw rock vibe imbued inside of it. Cardiac Arrest was perhaps the best example of this, the single off their debut Language & Perspective, because of the sinister lead guitar hooks and impressively spot-on vocals. That was made entirely clear when they played it acoustic, knocking it out of the park vocally, while the band plays nice and tight.

Live Show of the Year: The Griswolds @ The Metro, October

Sydney was treated to some sweet as live acts passing through this year. Among the slew was St. Lucia, CHVRCHES, Kishi Bashi, Circa Waves, Bombay Bicycle Club and a huge amount of increasingly noteworthy locals. But by far the most incredibly performance was when Sydney natives The Griswolds returned home from their huge touring schedule in the US in October for one of the best live performances I’ve seen yet. Their latest single If You Wanna Stay absolutely brought the house down.

Emerging Artist of the Year: Coach Bombay (Melb.)

When I say “emerging” artist, you might not think Melbourne’s Coach Bombay fits the profile. They’ve been around for quite a while. But it’s surprising to note that this year in September was the first time they ever played live outside of the state of Victoria. We interviewed the man and reviewed his Sydney performance at the time and you wouldn’t believe they only started touring as a live act in the last year or so. They were so tight, so huge, dancey but humble. His unique brand of happy times electro-pop deserves a tip of the cap and we hope to see them doing big things in 2015.

Australian Artists of the Year: Northeast Party House (Melb.)

2014 was a really awesome year for a lot of Australian bands. I’ve followed Northeast Party House closely for over two years now and anticipated their debut Any Given Weekend for a long time. Well this year it was released in line with a stretch of hectic tours up the east coast of Australia. The album and their shows were true to the consistently and beautifully shambolic nature of the boys themselves, solidifying their spot in my party playlists for years to come.

International Artist of the Year: Ghost Beach (New York)

Ghost Beach have been busy little Brooklynites this year, with the launch of their record label “Crazy Heart Records” and the debut release from their signing PROM. Alongside this, they used billboard space in Times Square to open a discussion on music privacy. In between all this, they released in Australia their kick ass album BLONDE complete with some of the most original songwriting I’ve heard in a long time together with killer iconic vocals. Ghost Beach were easily the band that made the most profound impact of 2014 to anyone that was into them.

EP of the Year: Great Good Fine OK (New York) – Body Diamond

Great Good Fine OK got their break through the blog-o-sphere with one of our favourites, “The Wild Honey Pie”, who further pushed them in 2014. The release of further singles after last years You’re The One For Me, got me ridiculously excited for the EP, and they delivered with epics like By My Side and Not Coming Home. In an EP there is little room for mistakes, and this one was as flawless as they come.

Single of the Year: Dale Earnhardt Jr. Jr. (Detroit) – Run

I’ll be honest, I didn’t take quite as much notice of this song when I first heard it, and although I deeply regret it at least I came around and that’s the main thing. Joke was on me, because Run is a stellar single, released in January of this year from the 2013 album The Speed Of Things, it involves a very unique style of songwriting and Dale Earnhardt Jr. Jr. in the best form they can be. When their mellow, wacky lyrics join hands with their strangely elusive yet fun electro-pop style, amazing things happen.

Album of the Year: RAC (Portland) – Strangers

Anyone who reads this blog knows I froth over RAC. So it’s no surprise that his debut full length of originals brought me to my knees this year. Strangers was a collaboration with many of my favourite vocalists, Speak, Tokyo Police Club, Kele, St Lucia and Alex Ebert to name a few. But it was those I had never heard of that really broke the roof of this album. Tracks like Ello Ello (Ft. Body Language) and Cheap Sunglasses (Feat. Matthew Koma) made this an album that I will never forget, and will most likely still be pumping on some futuristic sound device 40 years from now.

Merry Christmas and look forward for more tunes in 2015!

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Post #200: Our Top 5 Of All Time

sombear

Wow. It’s been quite a while doing this here blog, and we’ve finally hit 200 posts! To mark this special occasion, instead of posting about something new or doing the same old, I thought we’d go back to our origins – a countdown.

We’ve posted about a lot of different bands, both Australian and international and some well known while others not so much. Looking into the back end of the site at all the stats I was actually quite surprised to see which posts had performed the best, including one Aussie wonder sneaking in fourth.

So here it is, for my 200th post – the top 5 performing posts of all time on The Indie Rock Summit. Thanks for reading!

5. Great Good Fine OK – By My Side

4. Northeast Party House – The Haunted

3. NIEVES – Straight Line

2. DWNTWN – See My Eyes

1. Sombear – Incredibly Still

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Parties, Pugs & Any Given Weekend: Talking with Northeast Party House

Those of us who were in bands as teenagers know that there are only two ways to reflect back on it. The first one is utter embarrassment. The hair cuts, the immature lyrics and the in-jokes that your 16-year old self thought were funny in an album artwork or song suddenly aren’t as funny to anyone except your 16-year old self. The other is with pride. Remembering those days as among the best you’ve ever had. When you used to do nothing but party with friends, tour, drink yourself silly, sleep on couches that looked more like fallen rubble and laugh as you injured yourself constantly.

Melbournites and long-time good friends, Northeast Party House, don’t shy away from their past shenanigans as they look to drop their very first album, Any Given Weekend, in May. The lead single from the album, The Haunted slotted nicely into the Triple J rotation recently and as tour dates were announced last week, we heard from front man Zach Hamilton-Reeves who talked a little past, present, future and all things NPH (not to be confused with Neil Patrick Harris).

 

Where did the name Northeast Party House come from?

Back in 2008, our good friend Sam Northeast was left in charge of his parents house for two weeks after his Mum went on a holiday to Canada. After a big night out, Sam invited everyone back to the house and the party ended up going on for 2 weeks straight. Technically we should have been called Northeast’s Party House. The name Northeast Party House was an ode to the silliness that went on in that house.

I don’t know about you guys, but I personally have been stinging for this album to come out for a long while. What do you think you’ll do to celebrate when it’s finally out?

Hmm, well other than playing shows around the place, I think we’re going to enjoy some down time.  There was some talk of Karaoke. We’ve all got other little project interests that we’d like to check out, so we’ll see where they get to and maybe slowly get started on [album] number two.

The two singles to be released off the upcoming album, Youth Allowance and The Haunted seem to follow a party focused theme. Is this setting a trend for the rest of the album to come?

The whole album is really about our lives, our friends, loves and the experiences we’ve all had over the past few years. I think the two songs you’ve heard are a pretty solid representation of what’s to come. We’re pretty excited to show everyone what we’ve been doing!

The Haunted is an exciting peek at Any Given Weekend. Why did you choose it to be the lead single?

For the first single we felt it was really important to show everyone the diversity of the band. The Haunted was one of the songs on the album that came together in the short space of a day or two. It’s a track that we’ve all really jelled on. It’s bouncy, with some serious undertones. The track manages to remain restrained and still deliver a bit of kick to your teeth. You know? I like that stuff.

A lot of Aussie bands have shot straight overseas around the time of a release to try spruik their sound. Gold Fields, San Cisco & The Griswolds to name a few. Have you got any plans to follow suit?

There aren’t any concrete plans for overseas just yet, but we are all super keen to get there eventually. For us it’s really about where to go first. I know some of us have our eyes set on New York. We’ll just have to see where we end up, I think.

On your Facebook page, I’ve seen guys in neck braces, guys with bloody noses, people passed out and most recently, Zach sporting crutches. What is it that makes your shows so dangerous?

To be fair, the crutches had nothing to do with our show, but all of our bruzzis get pretty wild. We’ve seen our fair share of obscene behaviour whilst playing. Maybe the bouncers?

Speaking of the live shows, they seem to be getting bigger and better all the time. Is it only big time from here or do you still play the odd mates house party?

Yeah, lately they’ve been getting really full on. We still like trying to make the house parties happen but it’s getting pretty hard. There are a lot of us playing live and a lot of stuff to set up. Lately we’ve been having a lot of fun playing DJs at the small parties and clubs, lots of techno stuff. It’s pretty fun.

What’s with you guys and laser pugs/cats at the moment? (Apart from them just being epic)

Truthfully? When I was about 8 I had a little kitten called ‘Mittens’ and my older brother had a little pug-cross called ‘Dex’. They became quite close. We used to play a game called strap the laser to your pet and make them do battle. We’d put them in a box with those little lasers strapped on the head with the button pressed down, fill the box up with smoke and shake it all around. R.I.P. Mittens, I loved you. I’ll never forgive Dex.

 

Any Given Weekend is set for release on the 16th of May through StopStart Records.

Northeast Party House will be touring Australia to support it over June and July. Tickets went on sale today – you can buy them here.

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Thank Rick Moranis It’s Friday Mixtape: August 9th

Damn I love Fridays.

Not just because it’s the last day of the work week but also because it’s seriously the best day to really get into a bunch of good songs. We hope this get’s you into a sweet mood to head out to whichever watering hole you’ve decided to wet the old whistle at tonight.

Introducing The Indie Rock Summit’s Thank **** It’s Friday Mixtapes series.

If you would like to see more of these mixes as they’re developed, you can head to http://8tracks.com/users/jessesmonster

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